Bert Rodriguez, 'How God Created a Snake', 2006, C-Print, 30 x 20 inches
Bert Rodriguez, 'As Long As I Can Love You', 2005, Neon, Dimensions variable
Bert Rodriguez, 'A Friendly Reminder', 2005, Cibachrome, 30 x 40 inches
Bert Rodriguez, '5 Stages', 2005, C-Print, 20 x 150 inches, (Polypytch)
Bert Rodriguez, 'The Man Called Bert', 2010, C-Print, Edition of 5 + 2AP, 50 x 40 inches
Bert Rodriguez, 'The First Love Letter...', 2005, C-Print, 20 x 30 inches
Bert Rodriguez, 'The True Artist Makes Useless Shit For Rich People To Buy', 2010, Neon with transformers, Artist Proof, 59 x 56 x 3 inches
Bert Rodriguez, 'In The Beginning...', 2008, Performance based installation, dimensions variable.
-A Project where Bert Rodriguez created a white cube in the Colonel's Room at the 7th Regiment Park Avenue Armory Building for the Whitney Biennial 2008. 6, 45 minute sessions were held within the cube daily, which consisted of a conversation between Bert and anyone from the public who happened to make an appointment. The sound from these conversations were projected out of the cube, into the main space, but distorted and muffled to sound soft and sort of ghostly. Each participant was given an idea for an artwork that they could make which was inspired by or based on the conversation in the cube.
-A Project where Bert Rodriguez created a white cube in the Colonel's Room at the 7th Regiment Park Avenue Armory Building for the Whitney Biennial 2008. 6, 45 minute sessions were held within the cube daily, which consisted of a conversation between Bert and anyone from the public who happened to make an appointment. The sound from these conversations were projected out of the cube, into the main space, but distorted and muffled to sound soft and sort of ghostly. Each participant was given an idea for an artwork that they could make which was inspired by or based on the conversation in the cube.